GenresNon-fiction
Sport
Bodies in contest, and the cultures around them.
Sport writing works when it assumes the reader might care about the game and might also care about what the game is attached to. Money, bodies, towns, broadcasting, class, and the strange seriousness people bring to an activity that is, in the end, a game. You can write tactics for a knowing fan, or a story that a person who has never watched the sport can follow. Doing both at once is possible if you explain the thing once, clearly, and then stop explaining.
Access helps, and so does a point. An athlete's life is not automatically a book, especially if the life is a list of victories with childhood hardship at the front and gratitude at the back. Find the complication. A change in the sport, a decision, a rivalry, a body that won't cooperate, a club that means something to a place. Match reports are a craft of their own and a book needs a longer line than a single afternoon, unless that afternoon genuinely rearranged everything around it. Write the play accurately. Fans forgive a lot, and they do not forgive a writer who wasn't watching.
The kinds of book inside it
Athlete story
An athlete's life needs the sport itself in the foreground, plus the person, who should be allowed to be more complicated than an inspiration.
Tactics
How the game is played and coached, explained so that a keen reader sees more next time, without requiring a coaching badge to begin.
Sporting culture
The world around the contest, fans, money, media, and belonging, treated as part of the sport rather than as a distraction from it.
When you want a first sketch, Storywell can draft a contents list in this vein. You are still the one who writes the book. Compose an idea.