Skip to content

GenresFiction

Horror

Dread, the body, the other.

Horror is a genre about fear that the reader has agreed to feel, which is a strange bargain and a generous one. They want to be unsettled, not merely informed that a character is scared. The difference is usually patience. You let a room, a habit, or a noise become wrong before you explain it, and you stay close enough to a person that their fear has a body attached.

Gore is a tool, not a requirement. Some of the best horror is hardly violent at all, and some of it is frankly horrible because the story needs it to be. What tends to fail is a monster, a ghost, or a curse with no relationship to the people in the book. The fear should mean something to them, even if you never spell the meaning out in a speech. And if you do explain the horror completely, be sure the explanation is more interesting than the dread was.

The kinds of book inside it

  • Gothic

    Old houses, family history, and weather do a lot of the haunting, and the past is usually more active than the present would like.

  • Folk horror

    The land and the customs of a place are the threat, and outsiders learn the rules late, which is rather the point.

  • Cosmic

    People are small in a universe that isn't interested in them, and the fear comes from scale and knowledge more than from a creature in the hall.

  • Psychological

    You are not sure the world is wrong, or only the person watching it, and the book can keep both possibilities alive for a long time.

  • Haunted house

    A building holds the trouble, so the geography of the house matters, and so does the reason anyone is still sleeping there.

  • Survival

    The immediate problem is staying alive, and character comes out in what people will do, and refuse to do, under that pressure.

  • Body horror

    The body stops being reliable, which is frightening because nobody can leave theirs behind, and the writing should be precise rather than gleeful.

  • Quiet horror

    Very little is shown outright. The unease accumulates, and the worst moment may be a sentence the reader only understands a page later.

When you want a first sketch, Storywell can draft a story summary in this vein. You are still the one who writes the book. Compose an idea.